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Although she is one person capable of relating the majority of the events that occurred, she is not without bias. His visit to Wuthering Heights and sub- sequent actions directly affect the plot. He brings Heathcliff into his family and soon favors the orphan over his own son, Hindley. Not much is known about her, except that she favors her own son to Heathcliff, whom she does not like. Jealous of Heathcliff, he takes a bit of revenge on Heathcliff after his father dies.


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A sickly woman who dies soon after Hareton is born. Joseph Servant at Wuthering Heights. A hypocritical zealot who possesses a religious fanaticism that most find wearisome. They welcome Catherine into her home, introducing her to the life in upper society. They die soon after nursing Catherine back to health. Her infatuation with Heathcliff causes her to destroy her relationship with her brother. First, in order to enhance your understanding of and enjoyment from reading, we provide quick summaries in case you have difficulty when you read the original literary work.

Each summary is followed by commentary: literary devices, character analyses, themes, and so on. Keep in mind that the interpretations here are solely those of the author of this study guide and are used to jumpstart your thinking about the work. Read the original work and determine your own interpretations, referring to these Notes for supplemental meanings only. Lockwood, a new tenant at Thrushcross Grange, writing in his diary about his visit to his landlord, Mr.

Lockwood, an unwelcome guest, soon meets Joseph, a servant, and a pack of dogs that have overrun the farmhouse. Although he receives no encouragement from his host, Lockwood decides to make a return visit. Commentary Wuthering Heights opens with a date that signifies the setting as well as the form of the narrative. The present is ; however, the primary story line has taken place years ago.

Most of the action in the novel occurs in Wuthering Heights, Thrushcross Grange, or the moors in between the two houses. Heathcliff is the personification of Wuthering Heights. Readers are introduced to Lockwood, an unreliable narrator who tries to make sense of his surroundings and his landlord. In doing so, his impressions provide readers with the first glimpse of Heathcliff, the main character. For example, he mentions twice that Heathcliff does not extend a hand to him, yet Lockwood still considers Heathcliff a gentleman.

Lockwood is clearly blind to the reality of the situation, although the extent of his misinterpretations is not fully realized. He is the first of many narrators to tell the story from a point of view that is neither omniscient nor unbiased. In Wuthering Heights, stories are often told within stories, with much of the information being revealed second- handed. Lockwood is an outsider who serves as the impetus for Nelly first to tell the story of Heathcliff and Catherine, and then to relate the story of their respective children.


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In addition to Lockwood and Heathcliff, two servants are intro- duced in Chapter 1. These characters are presented realistically, and other signs of real- ism are the depictions of the dogs and the details of the farmhouse fur- nishings. Because the opening chapter raises more questions than it answers, it serves as a hook to capture the attention of readers and encourage them to continue reading.

Glossary Here and in the following sections, difficult words and phrases are explained. Go to the deuce go to the devil.

He knocks in vain, for, as Joseph explains, no one is will- ing or able to let him in. Eventually, a young man appears and beckons Lockwood to follow him. He does not succeed. The snowfall develops into a snowstorm, and Lockwood asks for assistance finding his way back to the Grange. Unable to get any help, he grabs a lantern that he says he will return in the morning.

Joseph thinks he is stealing the lantern and commands the dogs to attack him. Lockwood ends up suffering a terri- ble nosebleed and is forced to spend the night at Wuthering Heights. In what is almost an aside, Joseph mentions the mother of Mrs. Heathcliff, claiming she went straight to the devil.

Providing mostly exposition, the informa- tion is neither straightforward nor entirely explained, again creating a bit of mystery. Clearly these characters, who do not get along, let alone like one another, are somehow tied together. Introducing these characters to the reader is Lockwood, who again serves as narrator of these events, although Nelly, the unnamed house- keeper, serves as the primary narrator for the majority of the novel. First of all, his decision to return to Wuthering Heights is itself question- able—he is not invited, the weather is poor, and he is not sure of the way.

He has unrealistic expectations, which he presumes will be met. Joseph, although fanatically religious, is also superstitious.

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Hareton is fiercely proud about his heritage. Heathcliff is a paradoxical beauty who does not like being at Wuthering Heights but is not permitted to leave. And Heathcliff has lost both a wife and a son. At this point in time, these characters are intriguing but not sympathetic. Glossary N. Black Art witchcraft. Lockwood discovers a bed hidden behind panels and decides to spend the night there, safe from Heathcliff.

Unable to fall asleep, he glances through the mildewed books. In one of the books, Lockwood finds a caricature of Joseph and many diary-type entries. The entries reveal that Catherine is friendly with Heathcliff and that her brother Hindley treats Heathcliff poorly.

After reading several entries, Lockwood falls asleep and has two night- mares. He thinks a fir branch tapping on the windows awakened him from his first dream, and during the second he attempts to break off the branch. In order to reach the branch, Lockwood pushes his hand through the window, but instead of grabbing a branch, he touches an ice-cold hand. Unable to free himself from the ghost, he forces the wrist on the broken glass and tricks the ghost into letting go. As soon as he is free, Lockwood piles books against the hole. When they begin to topple, he screams.

Lockwood finishes the night in the back-kitchen. As soon as it is dawn, he returns to the Grange. Heathcliff shows him the way home, and Lockwood arrives soaked and chilled. This name refers to the older Catherine referred to as Catherine in this Note. Her daugh- ter is also named Catherine and is referred to as Cathy in this Note.

Maintain- ing symmetry in the text, when read in reverse order, they chronicle the life of Cathy. Perhaps he is the product of his environment, rebelling against his tormentors. Throughout the novel, the primary charac- ters, particularly Heathcliff and Catherine, tend to demonstrate two sides, and these revelations make it extremely difficult for readers to maintain a constant vision of them. In the first two chapters, Heathcliff seems to care about no one, yet, at the end of Chapter 3, he is clearly tormented about the loss of Catherine.

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Clearly, the man who is initially presented as cold and heartless has the ability to also be quite passionate. Glossary spectres ghosts. Cathy is the last of the Lintons, and Hareton is the last of the Earnshaws. Nelly also reveals that Heathcliff had married Mr. Her story begins with her life at Wuthering Heights; she grew up with Catherine and Hindley Earnshaw. Earnshaw brought an orphan home from Liverpool, named him Heathcliff after a son who died in childbirth , and grew to love the boy more than his own son. Catherine and Hindley both initially disliked Heathcliff, but Catherine soon grew to love him.

Hindley resented Heathcliff, espe- cially for displacing him from his father. After Mrs. At this point, Nelly assumes the role of primary narrator of the novel. During her narration, however, she often quotes other characters, so some of her information is not first-hand but rather second- and third-hand knowledge. Heathcliff is an orphan who is ready to accept the members of a family that is not fully ready to accept him. When crossed, Catherine, the warm and loving daughter, can be defiant, headstrong, and cruel.

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Heathcliff can be brooding, sullen, and capa- ble of vindictiveness. Their relationship begins to explore one of the primary themes of Wuthering Heights, namely that love can be capri- cious and its consequences, devastating. Glossary weather-cock here, a person who changes easily. As Mr. Earnshaw moves closer to death, Joseph begins to have a greater influence over his master, particularly in regard to religion. Catherine continues to tease her father about her exploits with Heathcliff, never really conscious of how sick her father really is.

When Mr. Earnshaw dies, Catherine and Heathcliff console one another with talk of heaven. Commentary The bond between Catherine and Heathcliff grows stronger as Mr. Earnshaw grows weaker. The extent of their love is shown as they console each other with talk of heaven the night Mr. Earnshaw dies. This is a particularly interesting scene because, although religious terms like heaven and angel are used to describe Catherine and other religious terms, like devil and Satan are used to describe Heathcliff , neither character is shown to be particularly religious in a conventional under- standing.

It is as if the love Catherine and Heathcliff share is truly beyond organized religion and is indeed spiritual. Glossary curate [Archaic] a clergyman. Taking control of the farmhouse, Hindley immediately makes changes, moving Joseph and Nelly to the back-kitchen and prohibiting Heathcliff from receiving an education. Hindley also makes Heathcliff work in the fields. One day both Catherine and Heathcliff disappear.

When they can not be found, Hindley orders the doors bolted. Nelly waits up for them, but finds out that Heathcliff returned home alone. He explains to Nelly that he and Catherine ended up near Thrushcross Grange and stole closer to peer into the windows and make fun of Edgar and Isabella, the Linton children. As Catherine and Heathcliff laugh at the Lintons, they are heard and run away. Because of her injury, Catherine is unable to get away. A servant car- ries her into the Grange. He sees that they treat her like a queen. After a visit from Mr. Linton, who scolded Hindley about the manner in which he raised his sister, Hind- ley threatens Heathcliff with banishment the next time he so much as talks to Catherine.

This rough freedom of Wuthering Heights contrasts with the dignified calmness of Thrushcross Grange. Similarly, the Linton children safe, spoiled, and cowardly serve as a contrast to Catherine and Heathcliff self-willed, strong, and rebellious. Critical Commentaries: Chapter 6 27 For the first time, a difference between Catherine and Heathcliff is revealed: She is drawn to the civility and luxury present there whereas he is repulsed by it.

Ironically, Heathcliff is once again an outsider, meet- ing with rejection. Heathcliff will never be a welcome presence at Thrushcross Grange, but Catherine will always be treated as royalty. He immediately dis- likes the Lintons and what they represent, plus they now have what he cherishes most, namely Catherine. Therefore, the narrative once again becomes slightly suspect. Perhaps things occurred exactly as Heathcliff relates them or perhaps he paints a slightly skewed picture.

She experiences a whole new world at Thrushcross Grange, a world that will not and cannot contain Heathcliff. Gradually the change in Catherine will lead to a change in the relationship between Cather- ine and Heathcliff, whether she wants it to or not.

Glossary delf-case a cabinet for tableware named for popular glazed earthen- ware, usually blue and white, originating in the city of Delft. Linton is refer- ring to his home, Thrushcross Grange. During her stay, Mrs. Linton works with her, transforming the wild girl into a young lady. When Catherine returns to Wuthering Heights, she is barely rec- ognizable. Catherine kisses Heathcliff, but while doing so, she comments upon his dirty appearance and compares him unfavorably to Edgar. Hindley invites the Lintons to dinner the following day, and they agree to visit, on the condition that the Linton children will not have to encounter Heathcliff.

Hindley agrees to this condition, although Nelly convinces Heathcliff to make himself presentable. As the Lintons arrive, Hindley banishes Heathcliff to the kitchen. Hindley has Heathcliff locked in the attic until dinner is over. Catherine blames Edgar for getting Heathcliff in trouble, and after dinner, while the others are listening to music and dancing, she sneaks away to visit Heathcliff.

Nelly ends up permitting Heathcliff to go into the kitchen for a bite to eat. While eating, Heathcliff tells Nelly that he is plotting revenge against Hindley. Commentary When Catherine returns to Wuthering Heights, the outward changes are readily apparent.

Her demeanor toward Heathcliff is both under- standable and expected; now, for the first time, she recognizes the dif- ferences in social standing. It is important to remember that differences in social class were constantly recognized and that the Lintons had more social standing than the Earnshaws. Nelly presents Heathcliff in a most-sympathetic light, taking his side and encouraging him to clean himself up.

For the first time, Heathcliff mentions his desire for revenge. Glossary mire deep mud. Nelly is expected to take complete control of the newborn. Hindley is distraught over the death of his wife and becomes tyranni- cal, forcing all the servants but Nelly and Joseph away. Heathcliff begins keep- ing track of how much time she is spending with Edgar and the Lintons, and he is angry that Catherine belittles him when he confronts her with this.

Edgar arrives at the end of the argument. Unable to convince Nelly to leave, Catherine ends up pinching Nelly and then lies about it. Edgar tries to intervene, and Catherine boxes his ears. This is the first time he has seen the wild side of Catherine and he tells her that he must leave; however, on the way out, he sees Catherine through the window and returns. Later, Nelly interrupts the sweethearts to inform them that Mr. Earnshaw has returned home, drunk again. Commentary After his wife dies, Hindley starts a disintegration from which he never recovers.

Clearly, at this point in time, she favors Heathcliff to Catherine, although this does not always remain constant.

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A connection between love and cruelty surfaces in this chapter and is repeated constantly and consistently throughout Wuthering Heights. Those characters—especially Heathcliff—who exhibit the strongest love that is, those who are most passionate also tend to be the cru- elest. Glossary consumption a wasting away of the body, most likely tuberculosis. Later, in the kitchen, Catherine speaks to Nelly. Thinking they are alone, Catherine tells Nelly that Edgar asked her to marry him and that she accepted. Catherine explains that she cannot marry Heathcliff because Hindley has degraded him so much; however, she expresses her love for Heathcliff.

Catherine spends the entire night outdoors in the rain. She comes down with a bad chill, catches a fever, and almost dies. The Lintons allow her to recuperate at the Grange, but both Mr. Linton take the fever and die. When Nelly tries to refuse to go, both Edgar and Hindley force her to move.

In one breath she is able to declare her love for Heathcliff while simulta- neously stating she cannot marry him. She agrees to marry Edgar yet naively thinks this marriage will not affect her relationship with Heathcliff. Catherine, like most of Victorian society, views marriage as a social contract and not the ultimate commitment between lovers. In her eyes, she and Heathcliff are one; therefore, her marriage to Edgar could not possibly affect the spiritual connection she has with Heathcliff.

Critical Commentaries: Chapter 9 33 In addition to their spiritual connection, a symbolic connection between Catherine and Heathcliff also exists. When Catherine arrives at Thrushcross Grange, she is as much an outsider there as Heathcliff was when he arrived at Wuthering Heights. Upon their arrivals, both reek havoc and turmoil on the inhabitants. Although Catherine chooses to marry and live with Edgar, she is out of her element.

Glossary wisht hush. Milo a famous Greek athlete who, caught by the tree he was trying to split, was eaten up by wild beasts; here, Catherine suggests that anyone who attempts to split Heathcliff and herself will end up destroyed. Nelly does not tell Catherine who the visitor is, but she does tell Edgar. Edgar suggests that Catherine visit in the kitchen, but she insists on entertaining in the parlor.

Their words and actions reveal that Catherine and Heathcliff love each other. Heathcliff surprises everyone by stating that he is staying at Wuthering Heights. Catherine and Isabella often visit the Heights, and Heathcliff visits the Grange. During these visits, Isabella becomes infatuated with Heathcliff. Commentary Now the jealousy between Edgar and Heathcliff is out in the open. And Catherine enjoys the attention. Many questions exist: How did Heathcliff transform himself? Is the transformation only external? What is the source of his money? Why is he staying at Wuthering Heights, with Hindley, whom he hates?

Where Heathcliff was and what he was doing is never answered, but readers soon find out that his transformation is indeed only skin-deep and he has not forgotten his revenge against Hindley. Heathcliff also reveals his greed, which foreshadows the extent he will go to take revenge on Edgar as well. Critical Commentaries: Chapter 10 35 Glossary dilatory inclined to delay; slow or late in doing things.

The Mayor of Casterbridge Summary and Analysis of Chapters 6-10

Hareton greets her with a barrage of stones and curses—actions he learned from Heathcliff. When Heathcliff appears, Nelly runs away. The next day at the Grange, Nelly witnesses an embrace between Heathcliff and Isabella. Edgar confronts both Catherine and Heathcliff. Catherine ends ups locking the door and taunting her husband into a fair fight between Heathcliff and himself. Edgar ends up hitting Heathcliff in the throat and rushes off to get assistance. Realizing he cannot fight three men with weapons, Heathcliff leaves. Edgar then demands that Catherine choose between Heathcliff and himself.

Instead, she locks herself in her room, refusing to eat for two days. Unable to get through to Catherine, Edgar informs Isabella that if she were to pursue a relationship with Heathcliff, that action would signify the end of their relationship. Commentary Heathcliff is now acting as both father and teacher to Hareton. This assumption of the paternal role mirrors the way Hindley assumed Mr. And he does. Hav- ing been so ceremoniously removed from Thrushcross Grange as a child, Heathcliff desires to acquire it, and Isabella supplies the means for him to do this.

When she locks Edgar and Heathcliff together and throws the key into the fire, this is the height of romanticism for her. Symbolically, that key represents the key to her heart. She throws it away, and in doing so, actually pushes both men away. Edgar cannot understand her love for someone so crass and wild as Heathcliff; Heathcliff cannot fathom her attraction to the sniveling and weak Edgar. Curiously, Edgar is the one who acts out of character by striking Heathcliff. This action demonstrates the lengths that Edgar will go for the woman he loves. Glossary approbation official approval, sanction, or commendation.

She is distraught that she is dying and Edgar has not come to her, begging for- giveness. In a state of delirium, Catherine talks about her childhood with Heathcliff and speaks of her impending death. When Nelly refuses to open the window, Catherine staggers to it, throws it open, and claims to see Wuthering Heights. In her next breath, she speaks of being buried but not at rest until she is with Heathcliff. Edgar finds Catherine in such a weakened con- dition and admonishes Nelly for not calling him sooner.

She in turn goes to seek medical attention. During this same night, Isabella runs away with Heathcliff. The doctor arrives and predicts that Catherine will not survive this illness. She does not recognize that her actions and decisions are pre- cisely why she is alone. Her comments about not resting foreshadow the restlessness Heathcliff experiences after her death, illustrating yet again the connection they have with one another.

Edgar did not meet her timetable and therefore, is no longer needed. In a way, Catherine enjoys playing the martyr, feeling she will suffer for her love. Glossary pertinaciously stubbornly. During this time, it is revealed that Catherine is pregnant. Edgar longs for a male heir, to prevent Heathcliff and Isabella from inheriting the Grange.

Six weeks after she runs away, Isabella sends a letter to Edgar, announcing her marriage and begging forgiveness. He does not reply. After that, a distraught Isabella sends a letter to Nelly, questioning the humanity of Heathcliff. She tells Nelly that they are living at Wuthering Heights and begs for a visit.

The letter goes on to tell of her experiences at Wuthering Heights. Isabella encounters Hareton, Joseph, and Hindley: All are rude and uncaring. She realizes her mistake but also knows that it is too late. She cannot even find a place to sleep that is her own. When Heathcliff returns, he tells her that Catherine is sick, that he blames Edgar, and that he plans on making her suffer in place of Edgar. Commentary Nearing death, Catherine knows the next time she goes to the moors will be her last.

She does not allow Edgar to comfort either her or himself with a false sense of hope or security. Edgar nurses Catherine tenderly and attentively as best he can, but is he doing this out of love for his wife or the child she is bearing? Edgar does not want this to happen. Her letter to Nelly narrates the events that have transpired from the time she eloped. Isabella questions if Heathcliff is really a man and suggests that he may be incarnate evil.

She realizes marrying him was a mistake but also realizes she cannot atone for her error. Learn how to enable JavaScript on your browser. Do you know the answer to these questions? What dream led to the writing of this novel? Why is the novel also called "The Modern Prometheus"? Why has the story become the most famous horror story ever written? What famous philosophers influenced the writing of it? Why is the Monster such a tragic figure? This study guide will help both teachers and pupils. It contains a lively series of essays on the different contexts of the novel, its structure and themes, and also offers a great deal of analysis of the text itself.

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Previously, he worked for a quarter of a century in various English state schools teaching English and Media Studies to year olds. He has also moonlighted as a journalist, novelist and social commentator both in the UK and international media. In his role as an English teacher, he has taught many classic texts over the years and has developed a great many resources to assist readers with understanding, appreciating and responding to them both analytically and creatively.

This led him to set up his own small publishing company FGI Publishing fgipublishing. See All Customer Reviews.